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              The Queen's theatre show cards
              IE LMOD 2451 · Pièce · Twentieth Century

              Two originals 1920' antique theatre show cards for the Queen's Theatre Great Brunswick street (now Pearse Street) Dublin advertising "The Famine" and "Emigration" by Hubert O'Grady. The Queen's theatre was originally named the Adelphi Theatre until it was rebuilt in 1844 and afforded the royal patent being renamed "Queen's Royal Theatre". Both are housed in black wooden frames behind glass.

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              U2 themed Mutoscope
              IE LMOD 1938 · Pièce · Twentieth Century

              a mutoscope with several U2 themed images that you see through a lens

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              Last Song Lyrics
              IE LMOD 1990 · Pièce · Twentieth Century

              2 Frames

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              Theatre Royal Model
              IE LMOD 2383 · Pièce · Twentieth Century

              Model of the Theatre Royal on Hawkins Street, encase in a glass case

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              1980 U2 & Hot Press
              IE LMOD 442 · Pièce · Twentieth Century

              Hot Press Vol 3, No 20, March 29th – April 11th. Headline ‘The Class of 80 Goes to London’ with a black and white group photo. Also displays a page from inside the magazine with the article ‘U2 sign to Island’

              “By 1980,” recalls John Stephenson, “a young advertising executive called Paul McGuinness had spent the last of his money on a new Dublin band he’d been managing since 1978. McGuinness had persuaded Chris Blackwell of Island Records that U2 were worth considering, but the album deal was far from done.” A showcase in London might do the trick. That’s where Stephenson came in – his Sense of Ireland Festival provided a platform for U2, the Virgin Prunes, Berlin, the Radiators from Space and Paul Cleary. Paul McGuinness persuaded Blackwell to bring the entire Island staff to the Acklam Hall, where U2 were playing as part of the festival. The band signed their first record deal a few days later. Hot Press is Ireland’s music magazine, founded in 1977 and edited to this day by Niall Stokes. The publication championed U2 and is still an important platform for emerging Irish music.

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