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A green and black Republic of Ireland bond certificate for ten dollars dated January 21 1920 with the printed signatures of Eamon de Bhailéara (Éamon De Valera) President, and Seán ua Núnáin, registrar and numbered in red 183969.

During the year and a half he spent crisscrossing the United States, Éamon de Valera used ‘republican bonds’ as a method of fundraising. Raising close to $6 million, the bonds were powerful tools, legitimising the Irish Republic in the eyes of people at home and abroad. However, after the Civil War the issue of whom the money belonged to would prove contentious. This $10 bond is dated January 21st 1920 and was issued to a Mrs. Goode.

Light blue with floral design strip pin tray that has the Dublin Crest in the centre with the motto ‘Obedientia Civium Urbis Felicitas’

Brass/bronze cash register on wooden base that was used in Findlater's stores. It has predecimalisation numers.

Instruction notice for how to secretly and safely communicate information about the IRA by addressing a letter to D. W. Ross and sending it hidden in another envelope to a trusted friend or business in Britain.

Religious stain glass window by Harry Clarke depicting a saint, possibly St Brendan, standing looking one way and 3 monks kneeling looking in other direction in a boat on water.

Harry Clarke was Ireland’s pre-eminent stained-glass artist. His religious works are renowned for emulating the spirit of Irish medieval manuscript illumination. In his secular designs the Dubliner experimented with innovative new techniques, culminating in his masterpiece ‘The eve of St Agnes’ (1923-24). Clarke’s work was commissioned throughout Ireland and also in Australia and the United States. You can see his stained-glass windows in Bewley’s Café (1927), around the corner from the museum.