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IE LMOD 2390 · Item · Twentieth Century

Sunday Independent Supplement from February 23rd 1964, featuring a photo from The Beatles concert at Adelphi cinema that took placed in the previous November.
On November 7th. 1963, The Beatles played two shows at the Adelphi Cinema on Middle Abbey Street. Their debut album Please Please Me came out earlier that year, and Beatlemania was becoming a global phenomenon. On November 8th, The Irish Times reported, "Many arrested as city crowds riot".

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Sudocrem Sculpture
IE LMOD 1904 · Item · Twentieth Century

Giant tub of Sudocrem. Wood and paint. Hollow.

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Stereoscope 3D Image Viewer
IE LMOD 1268 · Item · Twentieth Century

Binocular attached to wooden stand from the Fine Art Photographers' Pubishing Co U.S.A Patent Oct 15th 1895, photo attached entitle the New Woman

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IE LMOD 2294 · Item · Twentieth Century

Collection of various objects related to Dublin, in particular Dublin hotels:

  1. Shelbourne Hotel Shamrock Coaster
  2. OS Map of Dublin 1918
  3. OS Map of Dublin 1959
  4. Gresham Hotel Guide to Dublin
  5. Rippingale's Hotel Guide to Dublin
  6. Tuck's Postcard of 'Nice' Girls of Dublin
  7. Ward, Lock and Cos' Illustrated Guidebook of Dublin
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IE LMOD 2342 · Item · Twentieth Century

1928 Tailteann Games silver medal First Prize awarded to Stella Steyn for Art. Stella Steyn was an Irish-Jewish artist. Medal by Irish Jewellery Company. Of Russian and German extraction, Stella Steyn was born in Dublin and educated at Alexandra College and the Metropolitan School of Art. She was an outstanding art student and her tutors recognised in her “a pupil of genius” (Belfast Observer, 15 June 1930). In 1926, in the company of her mother and fellow artist Hilda Roberts, she went to Paris where she met James Joyce, who later asked her to provide illustrations for Finnegan’s Wake. She was the only Irish artist to have studied at the Bauhaus in Germany (1931) and its teachings convinced her to adhere to her avant-garde principals for the rest of her days. Whilst she exhibited rarely in Ireland after 1930, retrospective exhibitions at the Gorry Gallery in 1995 and the Molesworth Gallery in 2001, and auctions of works from her estate in more recent years did much to renew interest in her work.

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