Black and White photograph of Pope Pius XII meeting Archbishop John McQuaid of Dublin dated between 1912 and 1936 by Independent Newspapers PLC
Sem título29th September- 01st October
Sem título23 photographs black and white and colour of Papal visit in 1979 in envelope
Sem títuloProgramme for the pageant of St Patrick in Croke Park. Cream booklet with blue font and design. May 8th - 29th.
Sem títuloA silk thread scapular worn by Countess Markievicz in prison
Sem títuloHymn book from the Eucharistic Congress, 1932. Front cover - red and green writing and design on a brown background. Issued officially by the organising committee of the Eucharistic Congress, 1932.
Sem títuloAn extensive collection including a hand made Papal flag; a blue flag with the symbol of the Congress painted in yellow; six various posters commemorating the Congress; The Congress News newspaper April 26, 1931; The Irish Independent Eucharistic Congress Number 1932; Irish Independent Eucharistic Congress Record 1932; a scrapbook of newspaper clippings, 15pp; Boylan, Very Rev. P. Canon, The Book of the Congress Dublin 1932; and Thirty First Eucharistic Congress Dublin, 1932 Pictorial Record; a framed photograph, 'A Million Kneel at Benediction'; a post card of Cardinal Lauri.
Spread over five days in June 1932, the 31st International Eucharistic Congress was the largest public event ever held in Ireland. Coming 1,500 years after the arrival of St. Patrick in Ireland, just ten years after Irish independence and in the first year of Fianna Fail's first term in government, the stars were aligned over Roman Catholic Ireland.
On the opening night of the Congress, midnight Mass was held in every church in Dublin, while the words 'Adoramus', 'Laudamus', 'Glorificamus' were beamed into the night sky in in sky writing. At the moment the Host was elevated the church bells rang and the beams of dozens of searchlights met at one point in the heavens and formed a perfect cone”.
On the final day over a million souls attended Mass in the Phoenix Park, celebrated by Cardinal Lauri, the Papal Legate. Count John McCormack sang Panis Angelicus amplified by the most powerful public address system in the World.
Sem títuloA yellow and white hat with a cross drawn on
Sem títuloReligious stain glass window by Harry Clarke depicting a saint, possibly St Brendan, standing looking one way and 3 monks kneeling looking in other direction in a boat on water.
Harry Clarke was Ireland’s pre-eminent stained-glass artist. His religious works are renowned for emulating the spirit of Irish medieval manuscript illumination. In his secular designs the Dubliner experimented with innovative new techniques, culminating in his masterpiece ‘The eve of St Agnes’ (1923-24). Clarke’s work was commissioned throughout Ireland and also in Australia and the United States. You can see his stained-glass windows in Bewley’s Café (1927), around the corner from the museum.
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