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            Art

              69 Archival description results for Art

              69 results directly related Exclude narrower terms
              IE LMOD 2352 · Item · Twentieth Century

              'Wrapped Walk Ways' (Project for St. Stephen's Green Park in Dublin) by Christo and Jeanne-Claude. Lithograph in colors on Arches paper with hand-colored cloth collage. Created 1983. From the Rare Limited Hors Commerce Edition. Published by Edition Schellmann, Munich/New York.

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              IE LMOD 2381 · Item · Twentieth Century

              Framed painting of 'Schoolhouse Lane' by Tom Cullen, signed by artist in bottom right corner and dated 1989, title written on reverse at top.

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              Think Big
              IE LMOD 1383 · Item · Twentieth Century

              Caroline McCarthy

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              The Words Are Bricks Poem
              IE LMOD 2361 · Item · Twentieth Century

              Framed signed copy of Roddy Doyle's poem 'The Words Are Bricks'.

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              Ten pictures by Eric Patton
              IE LMOD 942 · Item · Twentieth Century

              Ten pictures of views of Dublin, by Eric Patton.

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              IE LMOD 2401 · Item · Twentieth Century

              Taxidermy Loggerhead Sea Turtle Late 19th/Early 20th Century, preserved in swimming pose, stitched underside

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              Taxidermy Fox
              IE LMOD 950 · Item · Twentieth Century

              Taxidermy fox on its hind legs, standing up

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              IE LMOD 2342 · Item · Twentieth Century

              1928 Tailteann Games silver medal First Prize awarded to Stella Steyn for Art. Stella Steyn was an Irish-Jewish artist. Medal by Irish Jewellery Company. Of Russian and German extraction, Stella Steyn was born in Dublin and educated at Alexandra College and the Metropolitan School of Art. She was an outstanding art student and her tutors recognised in her “a pupil of genius” (Belfast Observer, 15 June 1930). In 1926, in the company of her mother and fellow artist Hilda Roberts, she went to Paris where she met James Joyce, who later asked her to provide illustrations for Finnegan’s Wake. She was the only Irish artist to have studied at the Bauhaus in Germany (1931) and its teachings convinced her to adhere to her avant-garde principals for the rest of her days. Whilst she exhibited rarely in Ireland after 1930, retrospective exhibitions at the Gorry Gallery in 1995 and the Molesworth Gallery in 2001, and auctions of works from her estate in more recent years did much to renew interest in her work.

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